Just listen to it. Now. It’s been close to two years, but the awesomeness, the orchestral and choral flamboyance, the wild and unfettered singing, the boisterous fun in this song hasn’t waned one bit. One of those songs that makes me frenetic; that makes me want to stand up and dance, my two noncooperative left feet notwithstanding.
I can't stop gushing about this man Vishal Bhardwaj. Four brilliant films and many wonderful music albums in his kitty.
On that note, do visit Vishal Bard Watch (from which I steal the pun for the title of this post), a blog started by Ramanand to follow the movies and music of the man, to collect news and views about him; also, watch his latest short film Blood Brothers.
Showing posts with label Aadum Neram Idhu Dhaan. Show all posts
Showing posts with label Aadum Neram Idhu Dhaan. Show all posts
Friday, December 28, 2007
Wednesday, October 24, 2007
Aadum Neram Idhu Dhaan... Idhu Dhaan!
The genius touches one everyday. And, all one can ever hope is to chance upon as many of the innumerable instances of it as possible before one simply ceases to exist.
ஆடும் நேரம் இது தான... இது தான்!
Raaja's version of kaattuvaasi music has always been singularly special. The quintessentially Raaja-ish, otherwordly mood he gives to it, in the rhythm patterns, in the choice of instruments et al. rAman AndAlum, Asaiya kAththula, viLakku vaippOm, the list goes on.
This song is a sublime mix of the elements of this Raaja-tribal-ish music with typical western arrangements, creating sheer magic by the marriage. Every single note here screams genius. [1]
The song starts with a fantastic guitar piece, the guitar riffs wonderfully backing up the song from thereon. The unusually used guitar, the mystical flute and the offbeat rhythm patterns, all conspire seamlessly to create the otherworldly mood. Not to forget the urumi that joins the percussion in the second interlude and the tranquil flute that cuts through it.
The first interlude boasts of a great trumpet piece as Raaja plays with the rhythms, while the second interlude goes back to the otherworldly mood. And, there is that all-too-charming little piece of trumpet (followed by that seemingly nonchalant click of the guitar string!) that bookends the first couple of lines in both the stanzas (simply chorus chants!).
Wait, I've not even got started on the singing yet. P. Susheela's intoxicating singing and the intoxicated chorus chants [2] takes the song to a different level.
[1] – I wish some filmmaker does a Scorsese with the boundless reservoir of songs of Raaja, the kind that are simply not made anymore irrespective of the genre. I mean, let's suppose one is in want of a truly hip song, is it even possible for someone to get hipper than a Tholin Mele?
[2] – Where O where are the full-throated choruses of the yore? The ones with a very healthy dose of coarseness? Like the earthy chorus that so beautifully goes "Tharathaththa tharathaththa tharaththa thararaa" in the beginning of "Paada Vandhadhor Gaanam"? The so-sweetly voiced choruses of today aren't half as captivating.
ஆடும் நேரம் இது தான... இது தான்!
Raaja's version of kaattuvaasi music has always been singularly special. The quintessentially Raaja-ish, otherwordly mood he gives to it, in the rhythm patterns, in the choice of instruments et al. rAman AndAlum, Asaiya kAththula, viLakku vaippOm, the list goes on.
This song is a sublime mix of the elements of this Raaja-tribal-ish music with typical western arrangements, creating sheer magic by the marriage. Every single note here screams genius. [1]
The song starts with a fantastic guitar piece, the guitar riffs wonderfully backing up the song from thereon. The unusually used guitar, the mystical flute and the offbeat rhythm patterns, all conspire seamlessly to create the otherworldly mood. Not to forget the urumi that joins the percussion in the second interlude and the tranquil flute that cuts through it.
The first interlude boasts of a great trumpet piece as Raaja plays with the rhythms, while the second interlude goes back to the otherworldly mood. And, there is that all-too-charming little piece of trumpet (followed by that seemingly nonchalant click of the guitar string!) that bookends the first couple of lines in both the stanzas (simply chorus chants!).
Wait, I've not even got started on the singing yet. P. Susheela's intoxicating singing and the intoxicated chorus chants [2] takes the song to a different level.
[1] – I wish some filmmaker does a Scorsese with the boundless reservoir of songs of Raaja, the kind that are simply not made anymore irrespective of the genre. I mean, let's suppose one is in want of a truly hip song, is it even possible for someone to get hipper than a Tholin Mele?
[2] – Where O where are the full-throated choruses of the yore? The ones with a very healthy dose of coarseness? Like the earthy chorus that so beautifully goes "Tharathaththa tharathaththa tharaththa thararaa" in the beginning of "Paada Vandhadhor Gaanam"? The so-sweetly voiced choruses of today aren't half as captivating.
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